This two-day programme offers an in-depth exploration of geometric and biomorphic pattern traditions from across the Islamic world, structured as a progressive journey from foundational construction to advanced ornamental composition. The course integrates historical context, structural logic, and contemporary studio practice, and all sessions are supported by digital contextual reference material — including historical imagery, diagrams, and source examples — supplied for continued study and reference. The workshop is designed as a natural learning progression for returning students, while remaining fully accessible to new participants.

An introduction to geometric pattern construction using the traditional tools of compass and straightedge. Participants will construct a classical rosette while learning about proportion, symmetry, and the underlying grid systems that govern Islamic geometric design.

This class explores the relationship between sacred geometry and natural form, guiding participants to observe and draw the underlying geometric structures found in plants, shells, and organic growth patterns, culminating in the construction of a precise golden proportion spiral and an examination of how different traditions interpret sacred geometry.

This class examines how sacred geometry informs architectural design and ornamental systems across a range of cultural traditions. Participants will study how geometric frameworks guide proportion, structure, and surface decoration, culminating in the drawing of Mughal and Moorish arches in perspective as expressions of geometric harmony in architecture.

This class focuses on a classical geometric pattern found in traditional zellij (mosaic) designs of Morocco. Participants will construct the pattern step by step using compass and straightedge, experiencing the design as a geometric journey that unfolds across the session. The class culminates in the completion of a carefully constructed artwork that reflects both precision and craftsmanship.

This session examines the structural and historical development of arabesque pattern systems, focusing on how motifs are transmitted, transformed, and reinterpreted across cultural contexts. Through guided drawing and analysis of repetition, symmetry, and visual rhythm, participants will construct a radial composition drawn in perspective.

This class introduces the rich pattern traditions of Uzbekistan, following on from our recent visits to the region. Participants will explore a new selection of geometric and ornamental patterns distinct from those studied on the Central Asia study trips, drawing inspiration from the architectural heritage of Samarkand, Bukhara, and Khiva through structured, drawing-based pattern studies.