In collaboration with the Reed Society for the Sacred Arts
Location: Brooklyn (venue to be announced)
This two-day programme offers an in-depth exploration of geometric and biomorphic pattern traditions from across the Islamic world, structured as a progressive journey from foundational construction to advanced ornamental composition.
Participants begin with the principles of Islamic geometric design, learning classical compass-and-straightedge techniques and proportional systems, before exploring the relationship between sacred geometry and natural form, including the construction of a golden proportion spiral. The programme then moves into the study of geometry in architecture and ornament, culminating in the drawing of Mughal and Moorish arches in perspective.
On the second day, the focus shifts to arabesque and regional pattern traditions, including Moroccan zellij geometry, the structural logic of arabesque composition, and a session inspired by the Silk Road heritage of Uzbekistan, drawing from the architectural ornament of Samarkand, Bukhara, and Khiva.
The course integrates historical context, structural logic, and contemporary studio practice, and all sessions are supported by digital contextual reference material — including historical imagery, diagrams, and source examples — supplied for continued study and reference.
The workshop is designed as a natural learning progression for returning students, while remaining fully accessible to new participants.
All classes and course material are entirely new and differ from those taught at the Old American Can Factory in Brooklyn in 2025, as well as from the Washington DC workshops taking place the following week. Participants attending both programmes may book at a discounted rate.
Participants may book individual classes or choose from several pass options:
Full Weekend Pass Includes all 6 drawing classes
Limited places
Traditional compass-and-straightedge construction
Biomorphic (arabesque) pattern logic
Historical and architectural context
All materials and equipment are provided.
Open to all abilities
No prior experience required
Participants under 15 must be accompanied by an adult
Foundations of Geometric & Biomorphic Pattern
9:30am – 11:30am
An introduction to geometric pattern construction using the traditional tools of compass and straightedge. Participants will construct a classical rosette while learning about proportion, symmetry, and the underlying grid systems that govern Islamic geometric design.
This class explores the relationship between sacred geometry and natural form, guiding participants to observe and draw the underlying geometric structures found in plants, shells, and organic growth patterns, culminating in the construction of a precise golden proportion spiral and an examination of how different traditions interpret sacred geometry.
This class examines how sacred geometry informs architectural design and ornamental systems across a range of cultural traditions.
Participants will study how geometric frameworks guide proportion, structure, and surface decoration, culminating in the drawing of Mughal and Moorish arches in perspective as expressions of geometric harmony in architecture.
This class focuses on an classical geometric pattern found in traditional zellij (mosaic) designs of Morocco. Participants will construct the pattern step by step using compass and straightedge, experiencing the design as a geometric journey that unfolds across the session. The class culminates in the completion of a carefully constructed artwork that reflects both precision and craftsmanship.
This session examines the structural and historical development of arabesque pattern systems, focusing on how motifs are transmitted, transformed, and reinterpreted across cultural contexts.
Through guided drawing and analysis of repetition, symmetry, and visual rhythm, participants will construct a radial composition drawn in perspective.
This class introduces the rich pattern traditions of Uzbekistan, following on from our recent visits to the region.
Participants will explore a new selection of geometric and ornamental patterns distinct from those studied on the Central Asia study trips, drawing inspiration from the architectural heritage of Samarkand, Bukhara, and Khivathrough structured, drawing-based pattern studies.
This workshop is suitable for:
Returning students wishing to deepen and extend their drawing practice
Artists, designers, architects, and craftspeople
Beginners with an interest in geometry, ornament, and traditional design
Anyone seeking a structured yet creative introduction to Islamic pattern traditions
No prior experience is required, though previous drawing classes will enhance continuity and confidence.
“Unforgettable. The team was warm, helpful, and perfectly organised. The balance between art courses and guided site visits was exceptional. I would absolutely recommend this experience.”
— Sarah R.
“This was a tremendously enjoyable experience. The art instruction was excellent, the planning worked out perfectly, and most of all, the people were terrific.”
— Michael L.
“What an amazing experience to be part of.”
— Rosie
